Paňcabuddha Perception of Caryā

Authors

  • Arun Shrestha

DOI:

https://doi.org/10.3126/sirjana.v5i1.39740

Keywords:

Caryā, performing ritual

Abstract

My study of ahorātrapadasādhavidhi is the study of caryā repertoire and in this repertoire of caryā of ‘performing ritual’, paňcabuddha is the store house of vajrayāna philosophical system from which emerges the bunch of deities who fill the kaleidoscopic scenario of visualization process in the religious practice of vajrayāna religion. The play of symbolism is swung to the extremes of space and beyond through the projection of akşobhya, vairocana, amitābha, ratnasambhava and amoghasiddhi as five divine forces or paňcabuddha representing paňcaskandha, driving all the sentient beings to their ‘nonexistent existence’. On the basis of the reliance on the ‘visualization’ of paňcabuddha, a path to nirvāna is eased through the ‘realization’ of śunyatā and ultimate liberation of humanity a mass.

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Author Biography

Arun Shrestha

Born April 24, 1947, with schooling and initial college years from Mumbai, Maharashtra Board and Bombay University, graduated from T.U. Kathmandu in Economics and English Literature.

Career spanned as a management personnel (Director/GM/MD) in the private sector of handicraft house (Kathmandu Travels), airlines (Nepal Airways), ground water management (NEDRILL) and consultancy (USAID) with addition of a contribution as a training and assistance personnel to Election Commission and Ministry of Tourism.

Two papers presented on Caryā and Caryānŗtya on the auspices of Department of Education and Sanskritik Sansthan, Kathmandu, Nepal. Caryā: Dancing Away to Nirvāņā, a book based on study of ‘Ahorātra Pada Sādhana Vidhi’ ready for publication.

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Published

2018-12-01

How to Cite

Shrestha, A. (2018). Paňcabuddha Perception of Caryā. SIRJANĀ – A Journal Of Arts and Art Education, 5(1), 28–37. https://doi.org/10.3126/sirjana.v5i1.39740

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Articles